Our recently completed cleaning and installation of protective covering for St. Elizabeth’s Catholic Church in Richmond, Virginia.
Due to vandalism concerns, we used Polycarbonate to protect the window, which also gave a nice reflective quality to our project.
The completion of the Shanti windows.
It was created in the style of the Impressionists – the spontaneous interplay of light and color.
11″ x 39″
Sri Krishna, a Scroll, Lao Tzu, Rama Krishna, Buddha, Mary and Jesus, Confucious, and St. Francis.
Richmond, Virginia, is full of historic homes. I built this skylight in 2007 to replace the one that was beyond repair.
Skylights are such a rich focal point in the architecture. This one is at the top of a 3-story staircase, which surrounds the view with beautiful millwork.
By beveling the background glass, a 1/8″ flash glass from Germany – gold on clear, I wanted to emphasize the light surrounding the floral image – halation.
I created this transom around 1990 for a beautiful old farmhouse. I feel fortunate to have spent my life creating thoughtful and beautiful accent pieces for architecture.
This window was commissioned by the Unitarian Universalist Church of Arlington, Virginia, to compliment the new Celebration Hall they had built. With beautiful German glass, hand-ground accent bevels, and beautiful custom metal work, this stunning window brings the room to life with its richness.
You can explore this project more in-depth on our Facebook page. . |
This window was created using our 1915 Henry Lang machinery. We glue chipped 1/4″ glass for the background first, always making at least three times as much as we needed so we could select for the effect we wanted. Here we were searching for a natural frost look to contrast the border. By hand beveling various thicknesses of glass over rotating iron, stone, cork, and felt, we were able to bring the beveled edges to life with many small facets. The opening for this window was an interior wall, so to get our art piece to life, we hung a chandelier behind it. The light from the many small bulbs reflecting off the bevels is stunning as one moves around the sanctuary. As one member called it, “Our Spiritual Window.”
Richmond Times Dispatch:
November 1996 (.pdf | .jpg)
Circa 1980, back when I created an Art Deco series for the 5th Avenue Restaurant across from Pleasant’s Hardware in Richmond, VA. We found it interesting the effect we were able to create with different textures of clear glass.
This was a skylight from the stairwell of a three-story townhouse in Baltimore, Maryland. There is a general rule in color, that if one can not match it, choose another that works but is different. The idea is that it’s better to look like the choice was intentional and not a “missed hit.”
Fortunately, the centerpiece was missing which gave us the opportunity to practice this theory.
Removing faded and yellowing plastic coverings and replacing them with clear tempered or safety glass with proper venting systems is an important part of what we do to preserve the integrity of our clients architecture. |
These wonderful windows were hidden under over a hundred years of filth, covered up so that no light was able to shine through them at all. Many of the more than thirty panels were in severe disrepair as well, bowing, with cracked glass and missing pieces, broken lead joints, and non-existent putty. While the hotel was being restored to welcome the Attorney General, we removed all of the windows and transported them to our studio where we completely restored them over many months. After the building renovation, the windows once again had light shining through them, and they brought the foyer alive. We were very honored to work on this project in tandem with Kjellstrom and Lee Construction, to help with the restoration of the historic Hotel Richmond.
The finished Hotel foyer with the windows. |
A look from above. |
The three windows before restoration.
This excellent window is a lovely example of how glass can uniquely capture nature’s movement and beauty. The dogwood blossoms and leaves against the interweaving sculpted solder branches bring this piece to life. The flameworked flowers and leaves free us from traditional lead lines, allowing us to explore the playfulness and spontaneity of a natural tree.
If you’d like to see more about the creation of this window, please visit our Facebook page. |
This beautiful home on Monument Avenue in Richmond, Virginia was undergoing a complete restoration by Dovetail Construction, and this included the century-old beveled glass windows throughout the house. The beveled glass was removed and transported to our studio, where we carefully replaced any broken or cracked bevels with matching ones hand-ground on our antique Henry Lang machinery. We also restored the landing window, which was a beautiful trellis scene with vines and morning glories. These windows now shine again with their original brilliance, and are the highlight of the home. | |
This beautiful country church has been standing since 1852, and churches of this age all begin to suffer from the same maladies; slate roofs leak, stained glass repairs need to be made. We installed new 1/4″ clear tempered glass protective coverings, properly vented. We also repainted the window frames and sills, and fixed a few broken pieces of slate while we were there. | |
This lovely little chapel in rural Fluvanna County, Virginia was in need of some attention. Having been around for over 150 years, many of the old repairs and elements of the church were deteriorating. We invest so much effort in keeping these small church as unique and authentic as when they were first constructed. We repaired the slate roof, installed new copper flashing to the brick facade, repainted the entrance lettering, as well as installed protective coverings made of non-yellowing tempered glass. |
Seay’s Chapel Methodist Church is a historic Methodist church located near Palmyra, Fluvanna County, Virginia. It was built between 1893 and 1902, and is a beautiful example of the types of churches we love to help. After a hailstorm destroyed most of the glass on one side of the chapel, we were tasked with matching the glass and repairing the windows.
After the August 2011 earthquake just a few miles away, this historic church in Mineral, Virginia sustained heavy damage. A complete restoration of the church took place, and we were called upon to provide protection for the stained glass, as well as provide some insulation for the building. We installed perfectly clear 1/4″ tempered glass, which kept the integrity and profile of this beautiful country church. Glass, unlike plastic, never fades or yellows.
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This country church had recently been repainted, and they decided to replace their old yellowed plastic coverings with new tempered glass coverings. We removed all the old plastic, cleaned the frames, thoroughly cleaned the glass, and then installed the new protective coverings. The difference was night and day. Now instead of the windows being muted by the foggy plastic, they could once again be brilliant. Parishioners commented that it made the stained glass look new again. The new tempered glass will never fade or yellow. |
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“The longer we work with Mr. Cain and his studio artisans, the more convinced we are that we employed the best help we could get for the protection of our stained glass windows at Palmyra United Methodist Church. The windows are one of the most valuable parts of our church. They needed to be protected. Mr. Cain suggested to us some options and let us select the method most comfortable to us. Ron Fertile, Co-Chairman of Trustees Palmyra United Methodist Church |
“We do not get to know people by their coming to us.
We must go to them to find out what they are like.”
-Goethe
“It’s what’s on the inside that counts.”
This excellent window was commissioned for a historic home in Crewe, Virginia, to complement the finished renovations. Coming from a hill, the briar vine weaves up through the geometric window, giving this piece a light, airy feel. Painted on completely transparent German mouth-blown glass, this window allows the room to remain light while creating a jewel in this home. To see more of this project, please visit our Facebook Page. |
This beautiful window was commissioned for a kitchen in a waterfront home on Lake Monticello. To not obstruct the view outdoors and compliment the colors and beauty of the trees outside, we created a window that used the outside world to enhance its brilliance. As the seasons change, the organic colors will blend with the foliage outside, making new textures and reflections that will be new and exciting every day.
You can see more detailed project photographs on our Facebook Page.
We were commissioned to create a window that brought the incredible palette of Autumn to life in a contemporary window. Using our sculpted solder and flame-worked leaves, we captured the movement of a tree losing its fall leaves.
You can see more detailed progress photos on our Facebook Page. |
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This project has so many details tucked away and little hidden gems. The windows were created for an old plantation house near Fork Union, Virginia, in the country outside of Richmond, Virginia. The design was created specifically to match the antique feel and look of much of the farm, and the glass was chosen to match. The owners are equestrians and passionate about old pony carts and carriages. These windows were for the carriage house and rightly showcased the horse and carriage. The lead on these windows is sculpted to be three-dimensional, with sculpted solder horses and fleur de lis as well. The medallions are simple but detailed, one immortalizing a special pony and the other a carriage.
This window explored our unique style, blending beautiful German reamy glass in the background and flame-sculpted leaves and blossoms to create a floral piece full of color and transparency. Each flower and leaf is three-dimensional, designed by hand over an open flame. The overall effect is a step closer to our goal of realizing the clarity of nature in our glass art.
You can explore this project more in-depth on our Facebook page. . |
This unique window was for a home that wanted something exceptional. Using our sculpted soldering technique, we build the tree to be three-dimensional, creating bark texture, weaving branches in and out, and doing our best to capture a bare winter tree. The spectacular glass allowed us to capture that sparkle that a late sunset can create and helped bring this project together.
You can explore this project more in-depth on our Facebook page. |
We were tasked with replicating the design and brilliance of hand-beveled stained glass windows in a home on Richmond, Virginia’s Monument Avenue, a Historic District. We carefully worked the pattern to fit in the opening and then ground each bevel by hand on our 100-year-old antique Henry Lang beveling machinery. The glow and richness of hand-ground bevels can’t be beaten. The window sparkles with just the barest amount of light hitting it and has an impact both inside and out. You can explore this project more in-depth on our Facebook page. |
This was a private restoration for a couple in the Washington DC area. They had a beautiful painted glass window they had brought back from England, but it had a few broken and missing pieces. We carefully matched the color of the glass, as well as the painting techniques to achieve a perfect match. You’d have to look very carefully to distinguish our work from the original.
You can explore this project more in depth on our Facebook page.
The congregation approached us to enhance the visual impact of a wooden cross behind the altar in their sanctuary. Without lights behind the cross, we developed an idea to use colored mirrors to use the available light above and in front of the cross to make the sunburst design sparkle as you moved throughout the sanctuary.
You can explore this project more in-depth on our Facebook page. |
These beautiful windows had been brought to the US from England with a family once a tour was completed. They were absolutely filthy, had many broken or missing pieces, and needed some work to correct bowing and bent lead. We took our time and restored these beauties to their original luster, carefully matching each broken piece, replacing lead where needed, and thoroughly cleaning each window.
You can explore this project more in depth on our Facebook page.
A residential transom that we restored.
A Contemporary panel we created for Winchester Medical Center’s Cardiac Wing. This panel combined our flameworking, sculpturing, and beveling techniques to create a simple yet elegant piece that compliments the aesthetics of the hospital unit. The apple blossoms on branches played to a local tradition and set on the hand-blown reamy glass sparkled when the light hit the translucent petals.
See more of this project on our Facebook Page. |
This project was years in the making, and an honor to be a part of. We worked with the curators of the museum as well as with the family of Billy Ireland to design a window that reflected his artistry and informed the public of his brilliance. We felt a connection to Billy Ireland; as self taught artists we appreciated his creativity and liveliness. We custom designed the two windows, one for the reading room and one for the foyer of Sullivent Hall, and spent months painting the panels and custom fabricating the steel and bronze frames. This project is one of our finest achievements, and was a pleasure to be a part of. | ||
To see more of our process, please visit our Facebook page
People appreciate that their project is designed specifically for them and will never be reproduced.
This unique window was created for a home outside of Fork Union, and our goal was to accentuate the organic beauty found only in nature. We love how playful Wisteria can be and used the trees around our studio that has it as inspiration. Each leaf and petal was individually worked over an open flame to twist and mold it to the perfect shape. The composition brings out the three-dimensional nature of the glass, while the wispy background glass brings to mind a breeze. We were sad to see this one leave our studio.
To see more detailed progress photos of this project, please visit our Facebook Page. |
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When we find a company that makes stained glass, we order their samples and build a rack so we can study them in natural light. We now have 35 racks with hundreds of glass samples. Combining the different characters of the glass as well as their colors for each project individually is an art unto itself.
These samples are useful in communicating with our clients, but to select the final glass we group our projects together and visit the vendors to hand select. Ordering based solely on the samples is very risky.
How colors interact with each other is of great concern. On this very complicated project, we placed the cut pieces on a piece of clear glass that was laid over a pattern. As we progressed, we would hold the “tray” of clear glass over our heads to see how the colors interacted.
We buy our stained glass in sheets to give us a wide range of color to select from. It takes the eyes at least 20 minutes to absorb color, and so much of our time is spent in selection. It’s not unusual for a few leaves to be cut from a sheet and the remainder placed in our racks.
Projects evolve. Each day we see them a little differently, constantly trying to imporve what we have created. All of our sketches are done free hand, and with computers and modern technology, we are able to make refinments full scale.
We cut each piece of glass by hand. Sometimes we’ll use a
diamond band saw for sharp inside cuts and a diamond grinder for close fits.
One of three windows for a living room. We started making the transoms to help control the sunlight in the room. Several years later, we added the bottom area using wavy restoration glass with a beveled glass center. Then the idea evolved to build little glass shelves into the window to hold some of the owners’ blown glass collection.
Stylized Peacock
A partition separated the power room from the bathroom, where our client wanted the look of a Tiffany wisteria window. The iron gate is part of the window design that evolved as we worked together. This project received both sunlight and artificial light, creating a moody effect throughout the day and evening. |
Beveling colored glass seemed like the perfect material for this whiplash design. A transom window for a traditional dining room, this piece appears timeless. |
The curved doors in this cabinet required that we bevel glass that was curved to the exact angle of the doors. By making a wood mold the size and curvature of the door, we could bend the zinc and then traditionally build the window. |
We stylized these hand beveled windows by using floating caming, zipper cuts and brilliant cutting. Beveling with colored glass gives the one window its unique sparkle, while immaculate bevels define the other. |
Created for a mud room where the owner wanted privacy but to still be able to see people coming down his driveway. Created by beveling our glue chip glass, clear glass, and a light gold colored glass. |
Art Deco inspired cabinet doors. These windows are lit from inside the cabinet to help the balance the translucent and opaque glass. Back lighting can be challenging, but often provides a special touch to the space. |
This beveled glass window was designed and made for the entrance door. Most of our glass beveling is done on 1/4″ or 5/16″ glass, like the windows you see along Monument Avenue in Richmond, VA. We started using 3/8″ glass so our windows would “hold their own” when surrounded by heavy trim molding. The areas that appear dark are emerald green glass. |
Varying the widths on this fan window made it more interesting than the traditional,
even spaced designs of the past. Creating something new that works in a traditional space gives the architecture uniqueness that adds to its value.
A Frand Lloyd Wright inspired creation for a front door. |
We hand beveled 3/8″ thick glass for this entryway so we could achieve a variable bevel that radiates from 1/2″ in the center to 1″ along the outer edges of the window. This gave a lovely movement to the light as it traveled along the bevel, widening and narrowing as one moved to each side. We created this entryway for a home in the Church Hill section of Richmond, Virginia. |